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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 8, 2012 | Sotheby's | New York | Impressionist & Modern Art Evening Sale | 19 | $****** - ****** | Champ De Blé |
paintings
65.7 x 82 cm (25.87 x 32.28 in)
oil on canvas
Signed Claude Monet and dated 81 (lower left)
Acquired as a gift from the above in 1947
Mrs. Henry White Cannon (née Jenny Olive)
Henry White Cannon, New York (1899)
William H. Fuller, New York (acquired from the above on February 28, 1898)
Durand-Ruel, New York (acquired from the above on November 12 1897)
Durand-Ruel, Paris (acquired from the above on August 31 1897)
William H. Fuller, New York (by 1891)
(possibly) Paris, 251, rue St Honoré, 7e exposition des artistes indépendants, 1882, no. 88 New York, American Art Galleries & National Gallery of Design, Works in Oil and Pastel by the Impressionists of Paris, 1886, no. 158 New York, The Lotos Club, Pictures by Claude Monet, 1889, no. 4 New York, Union League Club, Paintings by Old Masters, and Modern Foreign and American Painters, Together with an Exhibition of the Work of Claude Monet the Impressionist ... Loan Collection, 1891, no. 52 Columbus, Gallery of Fine Arts, The Springtime of Impressionism, 1948, no. 13, illustrated in the catalogue St. Louis, City Art Museum& Minneapolis, Institute of Art, Claude Monet, 1957, no. 48, illustrated in the catalogue Akron, Art Institute, Highlights of the 19th Century, 1959 Auckland, City Art Gallery, Sydney, Art Gallery of New South Wales & Melbourne, National Gallery of Victoria, Claude Monet, Painter of Light, 1985, no. 8, illustrated in the catalogue Madrid, Museo espanol de Arte Contemporaneo, Claude Monet, 1986, no. 33, illustrated in the catalogue Chicago, The Art Institute, Claude Monet, 1840-1926, 1995, no. 59 Mexico City, Museo del Palacio de Bellas Artes, Maestros des Impresionismo, 1998-99, no. 189 Canberra, National Gallery of Australia & Perth, Art Gallery of Western Australia, Monet & Japan, 2001, no. 10, illustrated in the catalogue Edinburgh, Gallery of the Royal Scottish Academy, Monet: The Seine and the Sea, Vetheuil and Normandy, 2003, no. 45 Kunsthaus Zurich, Monet's Garden, 2004-05, fig. 19, illustrated in the catalogue (listed as "Field of Corn") San Francisco, California Palace of the Legion of Honor; Raleigh, North Carolina Museum of Art & Cleveland Museum of Art , Monet in Normandy, 2006-07, no. 35, illustrated in color in the catalogue Vancouver, Vancouver Art Gallery ; Cleveland Museum of Art; Nashville, Frist Center for the Visual Arts; Salt Lake City, Utah Museum of Fine Arts & Detroit Institute of Arts, Modern Masters from the Cleveland Museum of Art, 2007-09
Claudio Zambianchi, Monet et la pittura en plein air, Firenze, 2007, p. 56, illustrated p. 57, fig. 36; Karin Sagner-Duchting, Claude Monet 1840-1926: A Feast for the Eyes, Cologne, 1998, p. 202; Michael Leja, Looking Askance: Skepticism and American Art from Eakins to Duchamp, London, 2004, fig. 7; John House, Impressionism: Paint and Politics, New Haven, 2004, p. 163, fig. 147; Marco Goldin, L'impressionismo e l'età di Van Gogh, Conegliano, 2002, p. 162, illustrated; Louise d'Argencourt & Roger Diederen, et al., European Paintings of the Nineteenth Century, Cleveland, 1999, p. 156; Geneviève Morgan, ed., Monet, the Artist Speaks, San Francisco. 1996, illustrated pp. 42-43; Daniel Wildenstein, Monet, Catalogue raisonné, vol. II, Cologne, 1996, no. 676, illustrated in color p. 254; Karin Sagner-Düchting, Claude Monet 1840-1926: Ein Fest für die Augen, Cologne, 1990, p. 119 illustrated; John House, Monet: Nature in Art, New Haven, 1986, pp. 19, 54, 180, fig. 23, illustrated; Charles F. Stuckey, Monet, A Retrospective, New York, 1985, illustrated p. 116; Helen O. Borowitz, "The Rembrandt and Monet of Marcel Proust." The Bulletin of the Cleveland Museum of Art, Volume 70, no. 86, 1983, fig. 13, illustrated; Daniel Wildenstein, Claude Monet, Paris, 1974, no. 676, illustrated pl. 405; The Bulletin of the Cleveland Museum of Art, Volume 35, no. 2, 1948, p. 4-7, illustrated; William H. Fuller, Cl. Monet and his Paintings, New York, 1899, p. 16; Octave Mirbeau, “Notes sur l’art. Cl. Monet,” La France, November 21, 1884, p. 84
